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期待の新人すぎる…正体はいったい誰なんだー(棒)
トリッキーでダークな、まさに「BAD」な楽曲でした。
ただ、もう少し治安が悪い感じも個人的には欲しかったです。
BGAはどことなく某氏を思わせるポイントがありました。弟子は師匠に似るって言うし…。
譜面はNをプレー。☆5にしては結構難しめで苦戦しました。ここも含めて「BAD」なのかもしれませんね。
制作お疲れ様でした！

 

Song : 7 / 9
Pattern : 8 / 10 (SPH, SPA)
BGA : 10 / 10

귀에 잘 들어오는 멜로디의 채용이 인상적인 곡. 마무리 맺음이 약간 아쉽게 느껴졌습니다.
BGA의 경우에는 어두운 느낌의 노래와 잘 어울리는 반복형 BGA인데, 오히려 과하지 않아 상당히 괜찮았습니다.

제작 수고하셨습니다!

 

Played pattern: A
Music: 4.0/7.0
Pattern: 4.0/7.0
Keysound Objects: 7.0/7.0
Others: 1.0 (Base file (+1))
Total points: 16.0
Final PTS: 6.62 (B)
Comments: 곡은 무난했지만 각 파트가 부자연스럽게 전환되는 느낌입니다. 패턴은 LN과 동시치기 위주로 작성되었지만, 배경음에 16비트 음이 많기에 이를 사용한 난타도 있었다면 더욱 좋았을 것입니다.
제작 수고하셨습니다! (Thank you for your hard work.)

 

EBIMAYO has taken a turn towards the bad, but it's not at all bad. The alter ego BLACKTIGER has emerged from the darkness to take us through everyone's favorite BGA theme, the triangular space tunnel. It serves one simple purpose well, though: to accentuate the relentlessness of the music and the chart.

The music is like a more polished and uptempo version of Fracsynapse of BMS Shuin II with the high-pitched spacey synths accompanied by a nimble bass line. But it also sounds like something that Yack. (Yasuhisa Watanabe, 渡部恭久) would do for an arcade space battle game akin to Border Down's Stage 5 ("Snow Fox") or one of Senko no Ronde DUO's boss music ("Ballistic Messiah"). "BADSECRET" makes me feel like I'm rushing through space to take down some big space cannon with an elite mecha getting in my way. It's very exhilarating.

The level 10 HYPER chart personifies this intense battle with lots of chords, though they're surprisingly easy enough for me to handle. It's easy to get complacent, so it always surprises me to see some crazy stair patterns at the end that could make or break a normal clear run. It's a bit jarring in an otherwise thrilling experience, but it's nice to get the clear when it happens nonetheless.

"BADSECRET" is a fun diversion from the usual iconography and retrogaming atmosphere, and for that, I recommend this song.

 

インパクトのあるビットを同時に打撃に入れたパターンが印象深かった。100％引き上げなかった音色ですが、迫力があふれたのが魅力的ですね。
製作お疲れ様でした。

翻訳機を使用していました。

 

あぁ〜〜〜、これは確かにBADMENですねぇ…（
（※決して悪い意味で書いているわけではないのでいつものやつだと思ってください←）

BADMEN…（曲がいい感じに『ワルさ』を演出してくれてました！ 声ネタも含めかなり渋い…！）
BADMEN…！（ただ少し譜面にも『ワルさ』が出てますね、それもいやらしい意味で…ｗ いつも以上に押しにくいのがちょっと気になりました。もう少しここはマイルドでも良かったかも…？）
BADMEN！！（ですが何だかんだでBGAとかも含めこの『ワルさ』、悪くないと思います。たまにはこういうのも、いいよね！って思いました！）

ということでいつもの感じではありますがこれでお願いします！ 製作お疲れ様でした！！

 

Music: 960/1000
Movie: 967/1000
Patter (7KEYS NORMAL): 950/1000
Overall: 958.8/1000

プレー開始時のラグはわざとですか。 BGAのせいなのかしら。
お疲れ様でした。

 

本当に私が尊敬してやまないEBIMAYO「様の弟子」だったことを願うだけです。

default 750/750
music 85/100
chart 90/100
movie 25/50

total 950/1000

 

The attempt at something new is appreciated, but personally I don't think EBIMAYO's supersaw-laden style quite works for this. I want more interesting sound design on the synths; as is the track is good but sounds rather plain. Lead melody at 0:54 and 1:52 is also completely missing automation like pitch bend and vibrato etc which would have helped make it sound a lot better.
Overall I though I like the direction the song is taking, and the piano and chords are super stylish, so even though there are some complaints about the simple production, I'm hoping BLACKTIGER continues to make music and develop this style further.

Played the 7K HYPER, pattern is good as patterns on EBIMAYO songs pretty much always are.
Eye pyramids are cool.