Electro House
MOON-1970 ~ LUNATIC DANCEFLOOR (feat. Slothington)
Violet Delta (movie : Slothington)
LastUpdate : 2020/03/01 23:56
Music information
試聴
コメント
(2020年02月26日 21:10 更新)
(2020年02月16日 10:32 更新)
作編曲:Violet Delta
twitter.com/violet_delta
soundcloud.com/violetdelta
violetdelta.bandcamp.com/
作詞:Amen
twitter.com/Amen_TL
amentranslations.wordpress.com/
ko-fi.com/amentl
ボーカル:Slothington
twitter.com/Slothington4
soundcloud.com/user-202968811
ko-fi.com/B0B8ZL8N
youtube.com/channel/UCuIA5ukKTF_z9hADDQ6rv8g
~~~
今ウサギたち 夜を走り
集う場所は竹の森
足がパタパタ 遥か彼方
から旅をした
月がミラーボール
月下で踊るウサギ達
悩みを忘れ
疲れ果てる時まで
うろつくオオカミの群れ
満月 じっと見つめ
吠えてはウサギ見つける
一緒に舞う
笹の葉さらさらしながら違いを乗り越える
今夜だけは獣の終わりなき祭りなの
~~~
7KEYS 譜面 (obj.子):
☆3 -EASY-
☆6 -NORMAL-
☆9 -HARD-
☆11 -LUNATIC
★14 (発狂難度推定表) -LAST DANCE-
9BUTTONS 譜面 (obj. Lollipop):
15 Easy
25 Normal
42 Hyper
●3 Extra
Team | |||
---|---|---|---|
BMS Artist | Violet Delta (movie : Slothington) URL | ||
Genre | Electro House | Remix・Self | |
Source | 東方永夜抄 〜 Imperishable Night | ZUN | |
Title | MOON-1970 ~ LUNATIC DANCEFLOOR (feat. Slothington) | ||
Size | 17700KB | BGA | BGI only・Other |
Level | ★x3〜★x47 | BPM | 131 |
TAG | 7Keys 9Keys Use-BGI Use-ogg Gimmick-LongNote Difficulty-craziness |
DownLoadAddress | https://mega.nz/#!aw4GDSra!hMn0hVoYB3PlKP7Dt5A18ay1oafQlTtTwvVjADvJ3gU |
製作環境 | 非公開 |
||
Regist Time | 2020/02/16 10:27 | Last Update | 2020/03/01 23:56 |
Impression
Points
VOTE
VOTE
VOTE Points
Short Impression
Post Short Impression
Long Impression
I played SPH-IN and PMS. Epic.
It is a cool and wonderful work that can show the elements of Eurobeat and shuffle in addition to the Electro House / Trance.
The spatial spread of the sound was very good.
(intro) I was drawn to the goodness of the pluck tone, the charm of the Touhou arrangement, the beauty of the vocal mix, and the coolness of the guitar solo.
The lyrics are reminiscent of Japanese traditional nursery rhyme or folk songs, and it felt me warm emotion.
The way to put the lyrics to the melody is also excellent, and the part of "笹の葉 さらさらしながら 違いを乗り越える" is my favorite phrase.
The way of singing was melodious and it was clear and audible.
It looks like there are no Japanese members in the project members.
It is surprising that this authentic Japanese music is produced without the power of the Japanese...
The shuffle kick, the gap(微ズレ) in the live-style guitar, and the fine pitching of the Eurobeat brass brought strength to the chart.
I always think that the SP chart created by AYhaz has a unique and interesting arrangement.
It's hard to explain what's interesting.
I think that it is an unusual arrangement where the kick is not an axis, an aggressive sense of placing the shuffle kick with jackhammers(縦連打), hardest part(発狂) that appear in unexpected places, etc...
However, they are may not be in line with the theory of the SP chart, so I think that the pros and cons are divided.
I feel your sense is close to pop'n music, but in any case it is a valuable thing that only AYhaz has, and I personally want you to keep it as long as one likes!
On the other hand, the PMS is a solid and polite chart, and it's a reasonable level of difficulty to imagine from this song.
I have played almost of all Lollipop's PMS charts, but this is my first impression because the opportunity didn't fit.
I always grateful for your work of making PMS charts.
I think Lollipop's level notation is very accurate. And as a result, it is good that charts always have included technical elements according to the difficulty level.
I think shuffle rhythm really shine in PMS. I like PMS-H chart the most.
I'm worried about the low density charts such as EASY, where some arrangements like scale disregardment(音階無視) are scattered.
There is no problem if you play the key sound separately. Nevertheless, I feel something wrong while playing. (ex. #64 in EASY)
I think there is a problem in selecting the key sound.
Plus, at low difficulty, I think it's better not to focus on shape when choosing notes rhythm notes. (Make the same rhythm sound on the same key)
If Lollipop not looking at the venue, I would be grateful if team members could teach it.
I strive to have written long impressions for PMS included authors.
Thanks for your works. (Google Translate)
美しい歌声ですね。曲名通りの月夜のダンスフロアという様子が浮かんできます。
幻想的な雰囲気がよく出ておりサンプリングも綺麗で楽曲としての完成度は高いと思います。
惜しいのは尺が少し長いこと。終盤が少しゲームとしては繰り返し気味で長さを感じてしまいました。
ゲームサイズにまとめられるもうひと工夫があればなおよかったと思います。
あと譜面の形も少し弾きにくい形状が目立つように感じました。残念・・。
ゲーム性の向上を図ればBMS作品としてはかなり化ける可能性を感じましたので
今後のご活躍を期待させていただきます。お疲れさまでした。
個人的な点数: 0点
プレーした譜面: 7KEYS Lunatic, Last Dance
よく作られた楽曲だが、このBMSだけの特徴は2回プレイしても探しにくかったんです。
エレキギターの部分がありますが、LAST DANCE譜面でも無難に構成されていて残念です。
BPMが遅い方であるに24分、32分のエレキギター速奏を使用していればどうたったかいう残念さもします。
LAST DANCEのは★14推定だが、それよりは難しい感じです。
でも、連打の音が何なのかわかりにくくて、演奏感は良くありませんでした。少なくとも同梱譜面で試す実験ではないと思います。
音ゲーだけに、このBMSならではのアピールポイントを曲だけでなく、譜面でも考慮するともっと素敵なBMSになりそうです。
そして音ゲーでは、音量調節を演奏する音が強調される方がいいと思います。聴取環境が良くなければ、ボーカル区間はボーカルしか聞こえないです。
制作お疲れ様でした。
(自動翻訳を利用しているので語感が荒い部分があるかもしれません。ご了承ください。)