めめ
めめ
Frums (めめ)
LastUpdate : 2021/12/26 23:29
Music information
試聴
コメント
めめ
Team | のなめす | ||
---|---|---|---|
BMS Artist | Frums (めめ) URL | ||
Genre | めめ | Original・Self | |
Source | ----- | ----- | |
Title | めめ | ||
Size | 59482KB | BGA | BGI only・Self |
Level | ★x9〜★x9 | BPM | 99 |
TAG | 7Keys Audition-Sound Use-BGI Gimmick-LongNote Difficulty-intermediate |
DownLoadAddress | https://drive.google.com/file/d/1B-8b5lQ-CRHqN19ewabqpJk_7RvY_bxp/view?usp=sharing |
製作環境 | 意味飽和 |
||
Regist Time | 2021/11/02 23:27 | Last Update | 2021/12/26 23:29 |
Impression
Points
VOTE
VOTE
VOTE Points
TKDK.
(2YdIiQU3qthzqluGwgJP)xion
(enGqdq47fqX1OpXVWgJP)Latte
(08rt0tLy3lj3dMLBXsKR)miro
(AHVCf5VS.GpW8gHo5YJP)えーえいちぜろ
(FztFulJ42muBV39sfwJP)STANK!
(RjYdYxDaDgrB43GWqEJP)blanc_M
(1anBCzbwHUHUz59OLQKR)Black
(LSlMWWE4SoDe.mdOGIJP)Short Impression
Post Short Impression
Long Impression
Song: 11 / 20
Pattern: 7 / 20
Comment: 글리치와 브레이크 효과들이 빚어내는 사운드들이 생각보다 잘 어우러졌다는 느낌이 드는 곡. 패턴이 1개 뿐인 것이 아쉬운 편.
해당 평가는 최초 등록 직후의 파일로 평가되었습니다. 제작 수고하셨습니다!
Played pattern: H7
Music: 3.5/7.0
Pattern: 2.0/7.0
Keysound Objects: 2.5/7.0
Others: 1.0 ((1.0) base file)
Total points: 9.0
Final PTS: 3.71 (D+)
Comments: 노이즈는 멋있지만 구성 및 패턴은 다소 지루하다
제작 수고하셨습니다. (Thank you for your hard work.)
音色は控えめながらもちょっとした暴力性を併せ持っている極めて良質なノイズミュージックですね。
少々ミニマルな印象を与えさせられるノイズによるパーカッシヴな独白が終わると、一気に世界が広がる感じがこれまでにないカタルシスを生んでいて、そのカタルシスが本来なら不快にも思える音を、不快に思えないぐらいの所までテンションダウン出来ている所が音楽として中々興味深く感じられました。
とにかく展開もそうですがパーカッション類の扱い方が非常に巧く、0:29〜の展開で聴ける、やや硬い質感のするアコースティックなドラムに代表されるように、ノイズミュージックなのにどこかほのかに陶酔感を感じられる内容になっている点がこの楽曲の独自性とも言える部分であるようにも思えます。
個人的には激しさがクライマックスに上り詰めた後の長く激しい点滅するようなノイズがどこかニヒルな感覚を覚えさせられて、自分は今までどんな曲を聴いていたのだろうかとほんの一瞬分からなくなるような感覚に陥れられます。
最後のノイズで結果的に我に返るのですが、少し謎の多い作品ながらも一度聴いたら何度も再生したくなるような、よく分からない魔力をこの作品は秘めていると思います。
8.9/10 REVIEWER'S RECOMMEND
Above average! I don't have time to write a detailed comment before the deadline. If you would like more detailed feedback, please contact me privately!
かなり抽象的な作品でした。 難解なSoundの組み合わせ… 個人的には大丈夫でした。
ただ一つの残念な点は#SUBTITLEも定められたおかげで名前が重複して出たという点ですね。
製作お疲れ様でした。
めめ1: 261/405
めめ2: 174/225
めめ3: 196/270
Played: めめ
Overall: 731/1000 (Music + Movie + Pattern + Basic Score (100 points))
めめ
・BMSシーンにおいてインダストリアルなタイプのノイズ作品はちょいちょい見かけますが、この楽曲のようなきれいなタイプのノイズ作品は中々お目にかかれないものなので、初めてこれを聴いたときはその珍しさにかなり驚きました。
・まるでraster(旧:raster-noton)からリリースされてるかのようなマイクロノイズパーカスの音作りに陶酔され、その後の重々しい空気のPADで一気に無機質な世界観に引き込まれる。さらに後半のインダストリアルなキックの乱打を出すことで、リスニング専用でなくこれはあくまで音ゲー曲であることを再確認することができます。
・後半のキックについてさらに評価すると、初めてキックが現れるときは地味に取りにくい12分トリル+キック以外の音でリズムのヒントになるものが少ない+HARD判定で苦戦を強いられます。しかし、その後降ってくるトリルをやや崩した配置について、これが12分よりもややわかりやすい16分のリズムが降ってくるわけですが、(少なくともプレイした私は)これが16分に変化していることに気づかずに12分のリズムで叩いてしまうわけですね。そこでじわじわとゲージを削られてFAILED――。この少ないノーツ数範囲で人の心理を巧みに利用した譜面難易度構築こそ、このBMSの再注目ポイントではないでしょうか。この心理トラップにかかった人、自分だけじゃないといいけど。
----------------------
I've also included an English translation (by DeepL) of the above in case the identity of pseudonym is from an English-speaking country.
- In the BMS scene, I can find a few industrial-type noise pieces here and there, but it's not often that I see a clean type of noise piece like this one, so I was quite surprised at how rare it was when I first heard it.
- I was intoxicated by the micro-noise percussive sound creation as if it was released by raster (formerly raster-noton), and then the heavy airy PAD pulled me into the inorganic world view at once. In addition, by producing a barrage of industrial kicks in the second half of the song, you can reaffirm that this is only a sound game song, not a listening-only song.
- To further evaluate the kick in the second half, when the kick appears for the first time, it's a 12th note rhythm trill that's hard to get, and there are few sounds other than the kick that can give you a hint of the rhythm, and it's hard judge, so players will have a hard time. However, after that, the trills are slightly broken up, and the sixteenth note rhythm comes down, which is a little easier to understand than the 12th note rhythm, but (at least for me, when I played it) I didn't notice that it changed to a 16th note rhythm, so I played it with the 12th note rhythm. There, the gauge is slowly being drained and FAILED. I think that the difficulty of this BMS, which skillfully utilizes human psychology within this small range of notes, is what makes it worth paying attention to again. I hope I'm not the only one who fell into this psychological trap lol.
Played 7KEYS.
When I first heard it, my immediate thought was "oh, this is like Dataplex combined with a Frums song?"
It's seriously good as a piece of ambient electronica, but there's also a weird mental disconnect in that it seems like it's being presented as an avant-garde work, but it's a work that's too easy to define in terms of existing popular things, so maybe it can't be considered avant-garde.
But evaluating it as a song, I quite like it.
I love how it ends in a big wall of random noise too. I want more noise BMS!!
As a BMS... Well, the chart is fine, but since the difficulty was set to HYPER instead of NORMAL I felt like it was missing more charts or something (psychological trick?).
HARD timing works well, but just personally, it's something where I'd like to see as a full set of charts on a standard timing, since this sort of song is rare.
The BGI is nice. It reminded me of dake jan A.I's 店舗が違う変人店, and I got nostalgic for the old BMP art style I like.
Addendum: after hearing pseudonymph I am obligated to acknowledge the possibility that this team is literally Frums and nitro
WHY DO YOU KEEP USING ALIASES TO POST MUSIC THAT SOUNDS LIKE YOURSELF