7.50
お疲れさまでした。

🙇

원곡은 모르는 상태로 플레이했습니다. 숨겨진 좋은 작품이었겠군요.
사실상 다른 악기 없이 칩튠 소리로만 곡을 완성시켰기 때문에
잠시 일시정지되는 파트는 정말 아무 소리도 들리지 않아서 플레이할 때 조금 허전한 것을 제외하면
별 생각 없이 플레이한 곡이었는데 꽤 놀라고, 편곡자 이름을 보고 납득하였습니다.
제작 수고하셨습니다.

"었겠군요"라니!! 사람들이 파밧에 관심을 안 주니까 한국 작곡가들이 보푸와서 휩쓸고있는거라는게 학계의 정설입니다 파밧도 많은 사랑 부탁해요~
정적이 있어야 차오르는 구간이 더 극적으로 들리지 않겠습니까는 개뿔 사실 원작고증입니다. 감상과 좋은 평가 감사합니다!

原曲は分からないですがどこか楽しくなるようなチップチューンでした。
ジャジーな音使いと大胆すぎる無音の使い方との対比がとても印象に残りました。
制作お疲れ様でした。

（Papago注意！）
大胆な無音も気の利いたメロディも実は原曲のままなのです！原曲もぜひ聴いてください。
良い評価とインプレありがとうございます！

・Music(400点)
ゲーム的でとても忠実なチップチューンだと思いました！
エフェクトの動きを一切使ってない印象で本格的なジャンルに仕上がってます！
メロディとハーモニーのぶつかりが少し不協和音感はあった…

・Art(300点)
日常的、環境音楽的な要素が感じられる
穏やかな世界観が感じられるアートでした！
作りたいコンセプトをしっかり表現した姿勢に評価します！

・Obj(300点)
[A]音階に忠実な譜面で演奏感が抜群で楽しかった！
LNを入れることで混フレ感がさらに伝わって面白い！

BOFXV、制作お疲れさまでした！

（Papago注意！）
詳しく楽しいimpreありがとうございます！
音楽を作っているうちに、以前は不協和音だと感じた音がだんだん調和して聞こえてきます。
曲を繰り返し聴いたら適応できたのでしょうか？それとも私ももうジャズ中毒？？
SPAはロングノートを散々入れながらも心配でしたが、良い評価を受けてよかったです。
みんなSDVXとチュウニズムで鍛えられてしまったのか！

I felt as if this arrangement would be really good with different instrumentation but in the context of chiptune instruments it's very strange and cacophonic and not at all like chiptune is normally arranged, since it completely ignores any concept of voice limit. Also, personally I find the lead at 1:04 too loud compared to the rest of the song, in a way that makes it somewhat piercing.

I personally think this song would have worked much better as hybrid chiptune / game music using normal instruments (maybe low bitrate samples) with only elements like leads, percussion, arps being chiptune sounds. It's unfortunate, because despite all my complaints about its issues as a chiptune track, the song itself is really really good. Like I still enjoyed it despite my issues even.

The chart is strange, but I think in a good way that fits the goofy nature of the music.

Thank you very much, I've been waiting for decades untill someone tackle this.

Tbh among all of the process of making this bms, the one that took the longest time was to decide what to type in on #genre.
I pretty much understand about voice/channel/tempo/other numerous limitations of old chippies. I also blatantly know that for "purists" this song won't even qualify as a fakebit.
But, and this is a huge but, when an average people see words like fakebit/9-bit/bitpop/hybrid, they'll be like "what the freakin hipster thing is he doing".
For them those words are nonsense. Since, for everyday bms players the term "chiptune" ranges over super hexagon bgm and Aivi&Surasshu song.
This is a conclusion that I reached via wandering through many bms that has "chiptune" in their genre, and also some other sources (wikipedia and some long-run chiptune compilations) reached.
So here comes the first reason. It's more intuitive to everyone.

The concept of pure chiptune is more fragile when it comes to bms.
let me give you an example of REDEYE (although it's clearly not a "chiptune" but let's assume it is by double the chip and ignore the pitch limitations)
timing mistake of some notes (such as LN on #55) will result in a sudden 5-fold voicelines, which is over the limitations which is also stated on the description.
Isn't it very ironic if a very slight mistiming in gameplay breaks the definition of the genre?

While composing this song, I actually tried really hard to abuse this irony.
The grace notes cause a sudden doubling of voices, thus clearly pop, rather than when being performed on any other acoustic instruments / porta leads.
Since the saw wave can't be Lowpassed, The 5+ voiced chord creates so much harmonics that, almost sounds like a white noise layer on higher freq when mangled, yet still having a distinct texture.
The doubled lead layers are always slightly misaligned thus creating a different phase colision and attack characteristics (and, especially since you dont have perfect timing!).
These effects are not easy to achive, unless on the pseudo-chiptune context.

If i had the power, i'd define "chiptune" as an umbrella term that embraces the subgenres "pure chips", "fakebit/9-bit", and "anything that uses 8-bit-ish sounds to bring some nostalgia".
GAME ON would be the third, REDEYE is between 1st and 2nd but closer to the left, and mine would be somewhere on middle, maybe slightly toward to the right.
But eh, who cares. Genre in vsrg doesn't mean anything. Change my mind, but note that i'm an old pop'n music player :joy_nyami:


Speaking of charts, i couldn't help myself but spamming LNs lol, thanks for the good score and opinion!

sobremさんの曲は完成度は高いのですが、一般の趣向とはベクトルが違うのが惜しく……

キャッチーで全体的に高密度なチップチューンでなく、ジャズ寄りの8bit音楽という感じです。
最初の音は（bommm）という音ですが、（brrr）と歪んだ音の方が個人的に好みです。

BGAの猫は、ミッ○ーマウスレベルに表情が伝わるように描いて頂いて、尻尾は後ろまで振って頂いて、
横向きの猫が最後歩いて退場するアクションをどうしても期待してしまいます。
SPAのアルペジオは賛否両論あるかもしれません。DPHは楽しく弾けました。

好評と長文の感想をありがとうございました。
きのこかたけのこかをあえて決めれば、『8bit音楽の未来はジャズ！！』派です。
複雑なハーモニーの倍音同士が絡み合い、高音域でホワイトノイズのようになるその質感がいいです。
アルペジオのキー音をすべて使うとゴリラになるので,SPAは極力抑えた結果です。

それから、猫が歩いて退場する場面は本当に作りたかったのですが、私の手では描けませんでした😿

あっ、（Papago注意！）忘れてた！！

返信ありがとうございます。きのこたけのこの部分など、Papago注意不要なほど文章上手でした。

ヤバい！！！！！！！！！！！！！

（Papago注意！）
ニャー！！！！！！！！！！！！！

☆8をプレイしました。
ピアノオンリーのシンプルな原曲を軸にしつつ、単純なチップチューン化に留まらない打鍵感を意識したアレンジが見事でした。
明るい印象を受けたので、どちらかと言えば下校中と言うよりお昼時なのかも？

（Papago注意！）
楽しく演奏してくれてありがとうございます！
お昼休みにピコピコするゲームをしていると先生に怒られるって？