This song made me wonder countless times during the play that I had pushed the wrong button(lol).

Very interesting idea! The use of instruments and the melody are out of my league. This is one of those songs that makes me listen to it a few times before I can hear it out of the idea, and I've upped my scoring.👍

Thank you for playing and impression. I'm happy to hear that you enjoyed Pop Song. :)

いや、BMSでこんな曲を聞くとは 思ってもみませんでした。 幼い頃、学校の英語の授業で楽しく歌った曲を思い出したんです。
簡単だけど気の利いた歌詞と、少し残念だけど中毒性のあるメロディーに思わず一緒に歌ってしまう曲です。 楽しい！
おかげさまでパターンも楽しくフレアできましたし、特に残念な部分はありませんでした。
制作お疲れ様でした。本当に面白かったです！！ 次の作品も楽しみにしています！

즐겁게 플레이하셨다고 하시니 저도 기분이 좋네요. 임프레션 감사합니다!

音乐: 250/300
谱面: 270/300
演出: 185/200
新手友好度: 140/200
pop
pop
pop
pop
pop
辛苦了

感谢您播放我们的作品 :D

(Translated by Google)

日本のアマチュア音楽界隈では余りに異質で貴重なセンスが癖になります。
ボーカルの歌唱力がないと成立しないユーモラスさで、唯一無二の作品と感じます！
曲調的に、バックに豪華さは不要と思いますが、少し音がチープ過ぎる印象があったので
もう少し丁寧な音作りができれば更に良いと思います。

うわ、私が大好きな作曲家の一人であるumeさんにインプレを受けましたね。 プレイありがとうございます。 Heinzも曲を作りながら楽しいアイデアだと思いました。
サウンドの場合、Heinzが作曲を勉強していた時期にはDAWというものが存在しなかったので、残念ながらHeinzはDAWを使うことができません。 それでサウンドがちょっと残念です。

(Translated by Google)

🎖️
Pop'n Ryhme Time!!
PMS Hyper（45）の場合は体感難易度が41程度と簡単でした。 もちろん慣れないと難易度をつけるのはかなり難しい方ですから…。
面白い作品でした。 やはりクラシックでもこういう面白いものがあるということを見せてくれたということに大きな意義がありますね。
制作お疲れ様でした。

플레이 및 임프레션 감사합니다. 난이도는 신경을 써도 적당한 난이도 표기를 찾는게 아직은 힘드네요..
Heinz도 곡을 만들고 상당히 재미있는 곡이라고 생각했습니다. 그러한 점에서는 작곡가의 의도가 제대로 전달된 것 같아서 기쁘네요.

I enjoyed SPA/5K/DP/PMS charts. Im JP but I can almost understand this lyrics.

This was exactly entry that made me OMG. I will never forget being exposed to this work at BOF:ET.
I think this is an exquisite approach to the idea of the FINAL STRIKER, which was implemented for the first time this year, and which has seen the highest quality entries, technically difficult bosses, collaborations, and various other answers. Much less Heinz-san's team has been subverting POP's royalty (in the BMS scene) at every turn, so I was truly impressed with this approach.

I'm interested if the novelty I am perceiving is also novel in the EN native culture.
I remember being exposed to this type of music in my English pronunciation class when I was in middle school, and I enjoyed it, but not since. Back then, I think the lyrics were something like "Cheeseburger, Coke Please" where I take orders in fast speech, and then it gets faster and faster.
If I want to actively listen to this kind of music, how do I search for it?

In chart, I feel hybrid sensations; BPM and groove feeling was close to "The Photons of Music", and the occasional 16-beat kick touched upon in the impression of "Strange Night".
Song is by far the catchiest compared to the other two entries, but I feel that the chart is somewhat simpler and leaves less room for ideas.
I know that adding more arrangements to this song might blur its essence, but I thought that there might be a way to thoroughly record and sequence the pronunciation of "Pop," for example, and then assign it to scratch.
Also, as mentioned earlier, I thought that the gradually increasing tempo of the lyrics might lead into game-design idea (ex. supercalifragilisticexpialidocious in Jubeat), but this may be an empty theory since it does not take into account any limits on singing techniques, number of definitions, etc.

DPN+ Chart is my favorite because the game balance especially shines through. There are stairs on each side that are difficult to push, and there is a difficult middle section; #043-044 gets in the way when you try to use RANDOM, and FLIP is also difficult to use because of the dominant hand issue, which I hate. This, of course, is meant to be a good thing. However, SC+6,7 code in this range are physically impossible.
PMS chart is enjoyable with technical staircase, but I don't think it is significantly much difficult than "Strange Night [PMS NORMAL]," in density.
#020- LN #046- I found it interesting that the Vocal rhythm seems to be deliberately dodged only in the distinctive placement of the chord.
I think that the part from #057's two consecutive jack notes to #058's spiral staircase is a PMS-like climax with tricky keystroke changes, so it might be better to design the jack notes of #057 to be more complexly connected and trickling down.

In addition, I'm really glad to be able to enjoy this PMS as a included chart, not just because named "pop," but because really feels like PMS-style.
On the other hand, maybe Pop’n Music may suits Heinz-san's taste. A song in the "POP" genre in Toy Musical 3, a doujinshi game similar to PMS, also shares a certain approach with this song. It may inspire you.

Ah, I think it's time to end this, since the unnecessary addendum makes the text too long.
*Please note that priority given to scoring and long impressions on containing PMS. Thanks for your production! (DeepL)

Thank you for really long and detailed impression, Portion-san.
It seems like Heinz wants to reply to your impression. We will post it later :)

Pop song wrote itself, I had the idea of writing a POP song and really, if I'm honest the whole song wrote itself, at least the lyrics, in about twenty minutes. POP is really about FUN. I'm not sure if people really know how to let go these days and really POP in life. The harmonies in this song are complicated because really, and let's be honest, the melody is quite simple. There is one moment in the song where the singer gets out of breath: she really did get a bit out of breath in the recording: I loved this moment because yes, when you are really excited POPPING is very energy draining and intense. Where can you listen to this kind of music? I have no idea! It simply POPPED into my head, then POPPED out onto the music score. I was particularly proud of the middle section where Jessica is accompanied by a single strange flute-like instrument. The flute circles the singer propelling her onwards to make her POP.

Played 7K ANOTHER.

The usual kitschiness works to the song's advantage here, but still has the problem I generally have with these entries in that it sounds like a demo where attention to quality was only applied to the songwriting and vocals.
Sometimes it is difficult to tell what's going on in the instrumental. I'd maybe like to hear the synth elements automated and panned around more.

The final score will be "4 out of 10".
This will use a stricter scoring system compared to previous years.
That's all for now.

Thank you for playing.

なるほどこれはPOPだ！！（（（（（（

ジャンルと曲名からそういう系の曲かなーと思ってたら…そっちかーい！ｗ みたいなのはちょっとありました（（
でもこれはこれで曲としても面白いのでいいですねｗ
ここまでPOPを推され、押されまくるとなんかついつい洗脳されちゃいそうです（
他の2作に比べると音、映像、曲自体の構成もシンプルではあるんですがある意味これくらいコンパクトに収まってる方がいいのかもしれないですね！
（色々な部分でネタっぽさも入っていたりして、見ていて面白いものだったのでそこに関しては文句なしです！ ただもうちょっと明るさのある感じの映像のほうが、イメージをより強く出来てたかな…と！）

ということで簡単な感想ではありますが、今回はこれでお願いします！

プレイとインプレありがとうございます。 私がHeinzに今大会は少しポップソングのような感じにしてみようと提案しました。 うーん...やっぱり意図したものではないけど、とにかくポップソングですね。 歌詞はオーストラリアの方でしか分からない言葉遊びが混ざっていて、これが果たしてうまく通じるのか心配でした。
BGAはもともと製作された映像がありましたが、その映像を廃棄することが決定されたので、2時間で急いで作りました。 製作時間がもう少し余裕があったら、もう少しクオリティのあるものにすることができたのに、それがちょっと残念ですね。

(Translated by Google)

Played Chart : SPA

키음이 조금 잘 들렸으면 합니다. 악기랑 보컬이 잘 어울리지 못하는 느낌이 들었습니다.

제작 수고하셨습니다. (Thank you for your hard work.)

플레이 감사합니다. 악기는 Heinz가 어떤 생각으로 정한건지 모르겠기에 답변은 드리지 못하겠네요. The Photons of Music에서 보컬이 잘 안들린다는 의견이 있어서 이번은 보컬을 조금 키워봤는데 아무래도 너무 지나쳤나 봅니다. 역시 밸런스라는게 중요하군요.

평가에 BGA를 대충 만들었다고 말했는데 방금 트위터 보면서 그 이유를 알았네요. 몇몇 악질 댓글러 때문에 상처가 많았을 것 같아서 가슴이 아프네요.
BOF 참여 여부는 본인들이 잘 판단하셔서 결정하시도록 하시고 그런 악성 댓글러 때문에 음악활동하는데 방해가 되지 않기를 간절히 바랍니다.
저는 이번에 이 팀을 알게 된것 참 영광이라고 생각하구요. Jessica O'donoghue노래는 아마 자주 찾아와서 들을 것 같습니다.
그만큼 이번 대회 참여하면서 인상깊었던 몇 장면 중 하나라서요.

좋은 밤 되시고 하시는 일 번창하시길 빌어요!!

저희 팀 음악을 좋아하신다니, 정말 감사합니다. 예전에 있었던 일은 비디오를 대상으로 한 것이기에 음악 활동 자체에는 별 영향이 없을 겁니다.
Jessica님의 보컬을 좋아하신다니, 정말 기쁘네요. Jessica님의 곡은 저희 팀의 BOF:ET 참가 곡들의 유튜브 BGA에 크레딧으로 올라와있는 제시카님의 유튜브에서 더 들어보실 수 있습니다. 정말 멋있는 곡이 많아요.
저희 팀은 BOFXVI때도 한번 참여했었으니 관심 있으시면 해당 대회의 "Island of Blue", "Stay with me"를 찾아주세요. 물론 채보의 퀄리티는 장담하지 못합니다.

- 曲の展開が独特だった
- 個人的に気に入る
- 演奏感がある

製作お疲れ様でした。

플레이 감사합니다.
저번에 참가했을 때에는 Heinz에게 "리듬 게임스럽게 뭔가 칠 수 있는 노트가 많은 노래"를 부탁했었고 그렇게 나온게 Island of Blue랑 Stay with me의 BMS 버전입니다만, 올해는 Heinz에게 "뭔가 Pop스러운 음악"을 부탁했었습니다. 그렇게 나온 음악들은 제 예상과는 많이 달랐지만 그래도 이 곡을 보아하니 부탁한대로 나온 것 같습니다.