(2024年07月17日 20:17 更新)

(2024年07月06日 14:29 更新)

アタシ、楠 真希奈！どこにでもいるマキナが好きな普通の女子高生！
ある日、マキナを聴いていたら異世界に転生しちゃってもう大変！
しかもいつの間にかデウス=エクス=真希奈なんて名前で呼ばれることになってるんだけど！？
一体アタシ、これからどうなっちゃうの〜！？

やあやあ、少年。
ボクの名はメル・テュフレット、しがない魔導師の端くれさ。
少年の送ってきた術式だが、これはこれでいいかもしれないと思った。
術式自体に大きな問題はなかったが、所々欠落している部分が見られてちょっと残念だっただけだよ。
これは将来が期待できる人材だ。また訪ねてくれ。
それではここらへんで失礼するよ。

thank you for your hard work, maybe i will write some comments later

Strong point: It's a big surprise to see this kind of music, and it feels tacky and makes me laugh.
Weak point: The're some mistakes in the sync of melody and chord.
There're several choices for this song's author, I can't decide who is right, I could just guess a possible one...

The emphasis on rhythm gives the music a strong impact and makes it very powerful, creating an irresistible urge to dance. The mixing is also quite good, with no major issues, which is a positive point. However, the front part might be a bit "overdone," leading to a noticeable contrast in the latter part, where it feels like the intensity doesn't keep up, resulting in a top-heavy effect (this might be due to the heavy use of humorous vocal samples in the front, which drew most of the attention). Nonetheless, the chart is well-made due to the nature of the music. Keep up the good work.

（真希奈ちゃん、真希奈ちゃんちゃん。どんなもんかと思ったけど、曲は中々直球にマキナ。こういう真面目さ嫌いじゃない。むしろ好き。
譜面も結構真面目。とおもいきや皿が結構お転婆。やっぱりこうでなくちゃ。）

ごちそうさまでした。

- Extremely cute
- I like the BGI
- I really like the bass riff that responds to the end of the melody
- Various chord transitions felt awkward to me (personal taste), so I'll list the measures:
- 38, 46: Might make more sense B Major
- 41, 49: Might make more sense as Amaj7
- 42: Might make more sense as A Major -> B Major (since it's about to loop back into E Major)
- 60, 76: Might make more sense as A Major (add2)
- 62-63, 78-79: Might make more sense as G# Minor (62), C# Minor (63)
- 65, 81: Might make more sense as B Major
- I really like everything else but I'm uncertain about the chord resolutions that were used. I know it's subjective...

丁寧なアドバイスありがとうございます！

FREE BATTLEで同じような問題を指摘されたので正体がバレてしまったかと思いましたが、当てられていなくて逆に驚きました（？）
（ループの終わりと始まりのコードが一致してしまう問題、不協和音をsus4で解消しているが、他の方法の方が優れている問題など）

今回の作品はFREE BATTLEよりも前に制作したものなので、同じようなコード進行のミスがありましたが、今後はなるべく気を付けようと思います。

I thought the artist was likely to be Kudomu because I thought the production felt similar to Genre Police, and thought the artstyle and sequential BGA made sense if it was his work. To be honest, my initial reaction while playing actually was to guess MiKaDo, but I for some reason decided Kudomu was more likely. I don't know.

To be be honest, even though the impre is sort of harsh, I really did think the melody and concept were super fun this time, so I look forward to seeing what the artist comes up with in the future.