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I enjoyed SPB,H-I/PMS charts. Very Pop'n Music feel! Like the worldview of "SCREEN" with the musicality of "CINEMA" added to bring it to the masses.

It's very sophisticated piece where the music is full-fledged situation music with a suspicious mood and tense atmosphere, on the other hand, itself has an origin and a conclusion woven into it. However, the high hurdle is that have to have a exact view of the world to imagine the situation.
Yes, it would be best if I had a BGA, but I think the title of the song is very creative and link well with the music. Since I'm here, I will write down what I imagine from the fragments. (I hope you will be careful not to influence for actual BGA)

I interpreted the title as a festival of gender-neutral dress-up dolls, like mannequins. However, it is too eerie to call it a fashion show in the original sense, so it conjures up crazy images of people being manipulated by something and forced to play the role of dolls.
For example, it's like a mansion deep in the woods, its true identity is a nest of giant spider, where the people who have been visited in are literally turned into string puppets. When the protagonist visits there, he discovers the fashion show in the shadows and struggles to escape from there.
However, I'm not connecting the nuance of "無性別(asexual)" to the spider, so I'm inclined to think it's a bit more benign.
The person in the banner is a girl who has wandered into the mansion in my mind, or rather, looks like a girl, but is she something being planted? The sprouting of the plant seems to be connected to asexuality.

The song has climaxes in the first half and the second half. First half has more scene changes and a sense of urgency, and the second half is an eerily calm, elegant melody with intertwined flutes and strings, but this was difficult for me to tie the story together. (It would be easier to match my own story of fleeing the madhouse if the first half and second half were reversed, so I'm looking forward to seeing where the wheels fell off.)
If I had to tie the contexts together, I would have thought that he lost consciousness in the dark part of the first half and was dancing around as a resident of the pavilion the rest of the time.

I think charts are very PMS-like. Not only the PMS chart, mixed-phrase of 12+8 bit or moving axis placement in SP also felt that impression.
The SP was more standardized in playing feel, while the PMS seemed to reflect a more Pop'n-like culture of placement, including the use of sof-lan and LNs, which I thought was a modern way of incorporating individuality.
My very personal preference is to prefer the standard chart because it's easy to become one with music and warms me up more naturally in this case, but PMS is more meaningful that links to the personality of the cinematic sounds or BGA, and it is by far the most rewarding to do when I get to the point of aiming for FC PFC MAX etc. It's hard to say which is better and which is worse...I wish the SP chart also could be PMS. lol

PMS-EX #009-010 It is interesting to wonder which hand will take the right blue displacement push. The fact that the placement is broken up until just before makes the change in keystroke feel even more tricky.
#045 #082 I was convinced that this placement was one of the things they wanted to do for sof-lan and LN, respectively. I like the boldness of slowing down to 1/4x. There is a sense of tension, like threading a needle through a hole, it matches the story in my mind.
Overall, the chart was difficult for the left hand. The mirror makes it much easier to push. However, #029 is distressing, hmm...
Both in H-EX, I also thought LNs in the second half and the jacks of the last could be made a little freer by weighing balance and variation.
The SP chart was interesting. SPI chart was a legitimate reinforcement of the A and I think it didn't need to be hidden.
I found a few places where HH was inserted in the gaps. I think it's to emphasize the polyrhythm, but I enjoyed thinking about the intent anyway.

I have enjoyed imagining the BGA more than I thought, sorry for Wall of Text as usual. Please take care with cold.
*Please note that priority given to scoring and long impressions on containing PMS. Thanks for your production! (DeepL)

 

1次登録締切日基準です。
BGAがない関係で点数に反映していません。 (ペナルティはありません。)ただ曲の雰囲気を考えた時...。
製作お疲れ様でした。

 

音乐: 260/300
谱面: 270/300
演出: 0/200
新手友好度: 180/200
很抱歉但是直到我打分为止还是没有BGA/BGI......辛苦了

 

총 점수 : 510점
제작 수고하셨습니다.

* 음악 ( 총 175점 )
곡 자체의 악기 선정도 좋고 분위기도 좋습니다만, 개인적으로 심포닉 사운드에서 갑자기 메탈 사운드로 바뀌는 등의 전개가 마음에 들지 않는 부분이 꽤 많았습니다. 곡의 전체적인 분위기는 마음에 들었으나 일부 구간은 제 개인적 취향과는 상당히 거리가 멀었습니다.

* 채보 ( 총 275점 )
* 채보의 개인적인 재미 ( 175점 )
* 채보가 최소 한 키에 3종류 이상 ( 50점 )
* 플레이 가능한 키 종류가 2/3종류 이상 ( X )
* 가장 낮은 레벨의 채보가 5 이하 ( 50점 )
플레이한 채보 : SPA
전체적으로 보면 채보는 난이도에는 잘 맞았고 재미있었지만 67트릴 등의 일부 부분은 별로 마음에 들지 않았습니다. 중간에 피아노 위주로 나오는 구간도 처음 부분은 무엇을 치는지 인지하기 쉬웠지만 점점 진행될수록 채보의 재미와는 별개로 무엇을 연주하는지 잘 모르겠습니다.

* BGA (총 0점 )
BGI조차 없어서 점수를 드릴 수가 없습니다.

* BMS 구성 ( 총 60점 )
* 아이캐치 ( X )
* 프리뷰 ( X )
* BackBMP ( X )
* 배너 ( 10점 )
* 리드미 파일 ( X )
* 빈 BMS 파일 ( 25점 )
* BGA를 제외한 용량이 100MB 이하 ( 25점 )
BMS 구성은 위의 파일들이 들어있고 BMS에 적용되어있을 경우에 주는 점수입니다. 가급적 위에 있는 것들이 모두 있는 것을 선호하기에 점수를 설정했습니다.
배너 파일은 존재하지만 단순 까만색으로만 칠해져 있는 파일이어서 10점만 드립니다.

* 내 컬렉션에 넣고 싶은가? ( 0점 )
채보는 그래도 괜찮았지만 곡 자체가 제 취향이 아닌 것 같습니다.

 

- パターンの完成度が良い
- 曲の展開が独特です

製作お疲れ様でした。

 

[コメント追記]

Played Chart : SPA

패턴도 재미있고 신선한 곡 전개가 마음에 들었습니다.

제작 수고하셨습니다. (Thank you for your hard work.)

 

7K BEGINNER/NORMAL 플레이했습니다. 무난히 즐기기 좋았습니다.
처음에 SoundCloud에서 이 곡을 처음 접했는데, I hate making BGA라고 적힌 낮은 퀄리티의 커버가 웃겼던 기억이 나네요. 정작 음악은 그 커버 이미지와 다르게 매우 진지한 심포닉 느낌이라 놀랐습니다. 팝○뮤직에 나올 것만 같은 곡이네요. 다만 BGI도 없어서 비주얼 쪽으로는 점수를 드릴 수 없을 것 같습니다. 좋은 음악 감사합니다!